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Palace · Oetker Collection

L'Apogée Courchevel

The Oetker Collection's only alpine Palace: 53 India Mahdavi-designed rooms at the foot of the Bellecôte — design-led, discreet and family-owned by Pinault.

Opened in 2013 as the youngest of the eight Palaces, L'Apogée stands apart for its design-forward, almost domestic feel. India Mahdavi's interiors trade gilt for graphic colour, and the Pinault family's ownership lends the house a contemporary-art sensibility — installations rotate through the public spaces every season.
Distinction
Palace · Oetker Collection
Rooms
53 rooms, suites & a private chalet
Location
Le Jardin Alpin · ski-in/ski-out
Rate from
€2,400 / night (low) — €15,000+ (peak)
On the map

Where it sits

5 Rue Émile Allais, 73120. Zoom in for the pistes and lifts, or out to place it among the other palaces of 1850.

L'Apogée CourchevelOther Palace hotels

The house

India Mahdavi's interiors thread together Mahdavi pinks, custom mohair velvets and silvered oak. The signature 600 sqm Penthouse Suite occupies an entire floor; the standalone Chalet Amaryllis sleeps 14 and includes its own pool and spa.

Spa La Prairie

The only La Prairie destination spa at altitude in France. Hammam, sauna, snow cabin, five treatment cabins and the Skin Caviar Luxe protocol.

Dining

Le Comptoir de l'Apogée serves all day; Le Koori sushi bar runs through dinner. The Oetker Collection's hospitality codes — Hotel du Cap-Eden-Roc, Le Bristol Paris, The Lanesborough London — calibrate the service.

Frequently asked

  • Who owns L'Apogée Courchevel?

    The Pinault family (Artémis Group), with management by the Oetker Collection — the same group behind Le Bristol Paris and Hotel du Cap-Eden-Roc.

  • Is L'Apogée ski-in / ski-out?

    Yes — direct access to the Jardin Alpin piste, with a heated ski room and dedicated ski concierge.

  • What makes L'Apogée different from the other Palaces?

    The most design-led of the eight — India Mahdavi's interiors trade traditional alpine codes for graphic colour, and the Pinault ownership rotates contemporary art through the public spaces.